Bondeson's tale is a stranger-than-fiction account of the "Monster," a savage serial stabber in 1790s London, who preyed upon unaccompanied young women by with a "tremulous eagerness," accompanying his attacks with shockingly foul and indecent language. Although the Monster (or perhaps, Monsters) employed a variety of sinister stratagems of assault, including stabbing unsuspecting maidens in the face using a knife hidden inside a bouquet of artificial nosegays, and tearing at women's exposed arms with some sort of metal claw, his preferred method of attack was to slash at his victims' thighs and buttocks, inspiring fearful aristocratic women to wear copper petticoats, and lower class women to hide frying pans under their skirts.All told, the Monster attacked somewhere between 15-30 women, causing mass hysteria and vigilante mob action, before a local pervert and malcontent, artificial flower-maker Rhynwick Williams, was brought to trial and ultimately convicted (although both then and now, doubts remain about his guilt), essentially ending the slew of attacks and putting an end to the witch-hunt.
The book is largely an exploration of the panic caused by these stabbings, as well as the popularity of the subject in the media (the book contains ribald poetry, bawdy newspaper cartoons, and descriptions of various Monster plays from the period), as well as the bizarre circumstances of the two trials.
Pretty odd, but interesting!
