Les Misérables is a huge, powerful, magnificent, and quirky
book. It is rich in vividly portrayed human
emotion: love (Marius and Cosette), pluck and humor
(Gavroche), callous villainy (Thénardier) and tragedy (Fantine and Éponine). I
thought I knew the main story line from the musical: the relentless pursuit of
the still-wanted but reformed criminal Jean Valjean by the obsessive and
righteous Javert. But I was surprised
to realize that the novel actually concentrates on the transformation and
redemption of Jean Valjean.
The book which the reader has before him at this moment is, from one end to the other, in its entirety and details ... a progress from evil to good, from injustice to justice, from falsehood to truth, from night to day, from appetite to conscience, from corruption to life; from bestiality to duty, from hell to heaven, from nothingness to God. The starting point: matter, destination: the soul. The hydra at the beginning, the angel at the end.
A quirky part of the book is the insertion, at intervals,
of lengthy discourses on subjects with a glancing relationship, or no
relationship whatsoever, to the story: a detailed analysis of the Battle of
Waterloo, the different kinds of convents in 18th century France,
the history and meaning of slang, a virtual treatise on the development of the sewer system
in Paris. Some of these were pretty
interesting! (But not all).
A wonderful, compelling story line, tremendous empathy for
the downtrodden, and a fiery commitment to human dignity and liberty. An unforgettable read.
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