Count Zero, although at times confusing, is another Gibson masterpiece. The world he envisions is Tolstoyan in its richness, fullness, and complexity. He is strikingly creative and his vision of the near (although technologically distant) future is dark, grimy, and dangerous without being oppressingly alarmist. Gibson's characters ring true and his literary grasp is impressive, and far improved from Neuromancer - he convincingly weaves together multiple narratives to reveal a complex and fascinating picture of cyberspace and its potential. In this work, Bobby, aka Count Zero, is an aspiring cyber cowboy (or "hotdogger") who gets swept up in the veiled machinations of an incomprehensibly wealthy entity named Virek. ("Entity" because Virek's body is a pool of molecules in an enormous vat, and he "lives" in the matrix.) The story follows Virek's attempts to locate the maker of mysteriously haunting collage boxes through various hitmen and an art collector. The book's themes, largely introduced in Neuromancer, include AI, systems theory, the synthesis of man and machine, and the spatial nature of cyberspace. The religious potential of the matrix is also fruitfully explored. A real page-turner and a must-read!Gibson's 3 Trilogies:
The Sprawl Trilogy:
- Neuromancer
- Count Zero
- Mona Lisa Overdrive
- Virtual Light
- Idoru
- All Tomorrow's Parties
